Interview with:
Marc Bouyer
Animation Director
I'm excited to share this interview with Marc Bouyer, a character designer and director at feed me light based in London. Marc works along with his brother Denis Bouyer as directors at feed me light studio(http://www.feedmelight.com/marc-denis-bouyer). This interview is in specific to the graduation film "Salesman Pete" directed by Marc Bouyer, Max Loubaresse and Anthony Vivien. This team of directors and artists formed the STEAK animation www.steakanimation.com. I hope you will enjoy this interview with Marc. But first, for those who haven't seen their amazing short "Salesman Pete" Please have a look...
Salesman Pete
Salesman Pete
How long have you been in the animation
industry?
I graduated in 2010 after 5 years of study.
I worked in Lille, Paris, Sydney and now London. I was a character designer
first and now am trying to get more and more directing jobs. Always been
freelancing.
What does it take to become an animation
director?
Do you have a favorite project that you
have directed other than Salesmen Pete?
My portfolio isn't really long, but I would say the Kiehl's project because it was the biggest one since Salesman Pete and also "Fucking Neighbours" because it was fun to do a small project where we could focus on every part of production and make it look exactly the way we wanted it to look.
Kiehl's - A Husky Story
What software and render engines were
used?
Why did you decide to drop out of school to continue this project?
Before last year of studies each student has to come up with a personal idea for graduation movie. The teachers review them and pick one idea out of three students, meaning it creates groups of three people (2 people who didn't get their idea chosen have to join another project).
My friends and I didn't get a project chosen at all but we wanted to work together for a very long time and knew we wanted to make the same kind of stupid gratuitous project. So we told the school that we wanted to work together and they refused, so we left ^^
How did you bring a 2D effect to the whole
short?
We loved 2D animation for a lonnnnng time,
and you can see that in our movie as we tried to make it 2D as much as
possible. making the FX completely 2D was just following that. Also it's easier
to do without too much technical knowledge and it just looked good. We bought a
2D FX book with a lot of examples and tips for animation and we just followed
that (even copied in some parts). To integrate them was pretty easy, you just
project them on a 3D plane in your scene if the camera is moving, or you add
them in After Effect if camera is fixed.
That is all folks, I know.. I know.. Those are just 8 questions! But bare with me.. This is something new I'm trying for my blog. Thanks to Marc for taking the time for this interview. You can contact Marc through the links below
LinkedIn: https://www.linkedin.com/in/marc-bouyer-1b26a923/
IMDB: http://www.imdb.com/name/nm4161756/
Website: http://steakanimation.com/
That is all folks, I know.. I know.. Those are just 8 questions! But bare with me.. This is something new I'm trying for my blog. Thanks to Marc for taking the time for this interview. You can contact Marc through the links below
LinkedIn: https://www.linkedin.com/in/marc-bouyer-1b26a923/
IMDB: http://www.imdb.com/name/nm4161756/
Website: http://steakanimation.com/
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